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He shared five of the awards with his partner Art Garfunkel.They won as artists, and also as co-producers of the album and single, and as co-arrangers of the title track, which was one of the first and highly acclaimed power ballads.She won vocal performance awards in Pop, R&B and Traditional R&B Fields. This piece was adapted from a longer piece which Grein wrote for ) Numerically speaking, it's the first category on the GRAMMY Awards nominations list.Conversely, it is typically one of the final categories announced on the annual GRAMMY telecast.But she seemed to come to peace with her lineage on , striking a beautiful balance of jazz and R&B standards, and taking advantage of technological recording advances allowing her to "duet" with her late father, jazz icon Nat "King" Cole.(The massive success of the album led her to move even further toward jazz on subsequent albums.) In addition to Album Of The Year, and Annie Lennox's solo debut, an acoustic effort by a guitar legend was recognized as the year's standout.This was the first time a group or duo had won six or more GRAMMYs in one night.Santana's awards included Record Of The Year for "Smooth" (featuring Rob Thomas) and Album Of The Year for Supernatural.
Jackson's bounty included Record Of The Year for "Beat It" and Album Of The Year for Thriller. The Extra-Terrestrial, which he recorded (with Jones) to accompany the Steven Spielberg blockbuster. The album drew on Jones' unparalleled history in the music business.
The '90s netted the likes of Eric Clapton's moving "Tears In Heaven" (1992), Whitney Houston's ubiquitous "I Will Always Love You" (1993) and Santana featuring Rob Thomas' infectious "Smooth" (1999). From Henry Mancini's The Music From Peter Gunn to Taylor Swift's 1989, some of these elite albums have arguably surprised, some were seemingly consensus choices and still others have fostered lasting debate.
The Record Of The Year lineage continued into the 2000s and beyond with unforgettable hits such as U2's "Beautiful Day" (2000), Green Day's "Boulevard Of Broken Dreams" (2005), Amy Winehouse's "Rehab" (2007), Daft Punk featuring Pharrell Williams & Nile Rodgers' "Get Lucky" (2013), and most recently, Adele's "Hello" (2016). In part four of Album Of The Year GRAMMY Winners, explore the albums that won — and were runners-up for — music's biggest prize for the 1990s.
Record Of The Year: Full List Of Winners And Nominees There's Bobby Darin's swingin' "Mack The Knife" (1959), Henry Mancini's exquisite "Days Of Wine And Roses" (1963), Frank Sinatra's velvety "Strangers In The Night" (1966), Simon And Garfunkel's inspired "Bridge Over Troubled Water," Roberta Flack's radiant "Killing Me Softly With His Song" (1973), and Captain & Tennille's breezy "Love Will Keep Us Together" (1975).
In the '80s, radio-friendly hits such as Toto's "Rosanna" (1982), Michael Jackson's "Beat It" (1983) and Tina Turner's "What's Love Got To Do With It" (1984) were among the winning recordings. Song Of The Year An incalculable number of albums have been released in music history, but only 58 have earned the coveted distinction of Album Of The Year GRAMMY winner so far.
Which recording will become the 60th Record Of The Year GRAMMY winner? Almost 40 years after launching his career as a young jazz trumpeter in Lionel Hampton's band, Quincy Jones utilized his wide range of skills as a performer, composer, arranger, and producer to create an album with a spectrum of musical colors spaning jazz to rap, soul, world music, and pop.